Steve Art Gallery LLC
USA Oil Painting Reproduction

 
 


Painting ID::  74827
Weiblicher Akt
c. 1918 Oil on canvas

Amedeo Modigliani Weiblicher Akt oil painting reproduction


   
 

 

 
   
      


Painting ID::  76288
Weiblicher Akt
Medium Oil on canvas Current location Unknown cyf

Amedeo Modigliani Weiblicher Akt oil painting reproduction


   
 

 

 
   
      


Painting ID::  88139
Weiblicher Akt
1872(1872) Medium Oil on canvas Dimensions 60 x 49 cm cjr

Edouard Manet Weiblicher Akt oil painting reproduction


   
 

 

 
   
      


Painting ID::  97538
Weiblicher Akt
1876(1876) Medium oil on canvas Dimensions 92 x 73 cm cyf

Pierre-Auguste Renoir Weiblicher Akt oil painting reproduction


   
 

 

 
   
      


Painting ID::  98159
Weiblicher Akt
1880(1880) Medium oil on canvas Dimensions 80 x 65 cm cyf

Pierre-Auguste Renoir Weiblicher Akt oil painting reproduction


   
 

 

 
   
      


Painting ID::  98325
Weiblicher Akt
oil on canvas Dimensions 105 x 70 cm (41.3 x 27.6 in)

Francesco Hayez Weiblicher Akt oil painting reproduction


   
 

 

 
   
      

Francesco Hayez
1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.
Weiblicher Akt
oil on canvas Dimensions 105 x 70 cm (41.3 x 27.6 in)

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